An article looking at the concepts and use of programmer based moving light consoles. The backbone of professional lighting consoles, using a “Programmer” is a jump from recording with a conventional “record output” lighting desk.
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This article looks at the importance of time in lighting design and console programming for moving lights plus some practical uses for cue timing controls.
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Following Concert Lighting Programming in 30 mins, Dimitris asked for more information on organising submasters/playbacks when lighting a concert. So here it is - ideas on how to layout your lighting console playbacks for simplicity and flexibility.
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In the middle of summer(?) music festival madness, On Stage Lighting gives you a 30 minute schedule and a cheat sheet to help program up your lighting desk for three days of bands. The mud has been removed from this article for reasons of hygiene.
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Programming moving lights on a modern intelligent lighting console involves some new techniques for the novice console operator, not least the use of “Palettes”. Using palettes is an important method for efficiently programming intelligent fixtures and organising their attributes such as colours, gobos, pan, tilt etc into manageable chunks. On Stage Lighting explains the principles [...] [...more]
The third part of the Lighting Desk Basics series, On Stage Lighting looks at the elements of moving light control. Article 2 - Intelligent Lighting Control, looked at the first steps of controlling moving lights, fixture personalities and patching. Using Groups to control your “heads” is the next step in console programming like the professionals.
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A top end professional intelligent lighting control desk and the moving light section on a cheap lighting control have common features. Understanding these elements, while not teaching you to become a moving light operator, can help a beginner learning any intelligent lighting desk. In the second part of the Lighting Desk …series, On Stage Lighting [...] [...more]
The lighting control, “board” or “desk” is the a key part of any stage lighting set up and it is using the lighting desk that an operator is able to control the equipment. This can range from adjusting the “levels” on stage lighting dimmers to controlling complex intelligent lighting systems and media servers. Although there [...] [...more]