In the stage lighting calendar, the Christmas season is awash with choirs and orchestras, carol concerts and recitals. On Stage Lighting considers how to light a classical concert ,an orchestra or choir (while keeping conductors and musicians happy) including a simple rig design without overstage rigging postions. [...more]
This week we look at attribute inversions in intelligent lighting control, the use of Pan or Tilt Invert in particular. So what is attribute inversion, why would a console programmer use it and when is an invert most useful? On Stage Lighting turns your world upside down. [...more]
A guest post from Lucas Krech, a Lighting Designer with a passion for lighting dance performance. An great introduction to dance lighting that looks at some history, theory and the use of side light in particular. [...more]
Programming moving lights is complicated, especially when you’re taking those first steps with some hired waggly heads and an unfamiliar console.On Stage Lighting lists 21 ways to make programming easier, more efficient and how to avoid mistakes that waste valuable time. [...more]
Media Servers and Digital Lighting was a quick introduction to “convergence” and the technologies involved in using digital media for stage lighting. Current lighting trends include the use of arrays of fixtures such as RGB LED units to replay images and effects, using Pixel Mapping. This article looks at the basics of pixel [...] [...more]
In this guide to “the dark side”, On Stage Lighting looks at light’s oppo – shadow. Understanding shadow, the lighting designer can control it, avoiding unwanted shadows while creating others for effect. [...more]
On Stage Lighting looks into a current hot industry topic – the immediate and and long term future of jobs in live events . [...more]
This article looks at lighting design using moving lights and helps you think about what to do with those four waggly spots you were hoping to hire in for your next show. [...more]
Following Concert Lighting Programming in 30 mins, Dimitris asked for more information on organising submasters/playbacks when lighting a concert. So here it is – ideas on how to layout your lighting console playbacks for simplicity and flexibility. [...more]
At the end of June we heard from 18 year old Joshua Simms who was about to start a summer job with the lighting crew at Glastonbury 2008. We’ve managed to track Josh down to ask him about his first festival experience. Did he make the tea or what? [...more]
In the middle of summer(?) music festival madness, On Stage Lighting gives you a 30 minute schedule and a cheat sheet to help program up your lighting desk for three days of bands. The mud has been removed from this article for reasons of hygiene. [...more]
A look at a simple principle of stage lighting colour theory – reflected light. This article explains how coloured light interacts with sets and costumes and how to avoid errors when choosing saturated colour for your theatre lighting. [...more]
In a series of interviews, On Stage Lighting spoke to four industry professionals about getting a first job in the lighting business. This article considers the results and what to think about when choosing your stage lighting education. [...more]
DMX512 is the most common stage lighting control system that can control both intelligent lighting and DMX dimmer systems. A DMX control system is pretty simple and robust and DMX faults are a less common problem in stage lighting, compared to blown lamps etc. If you do have a fault in your DMX chain, it [...] [...more]
Have you ever worked with a Lighting Designer, whether amateur or professional, and wondered what they are doing wandering around on stage waving their arms about? Have you noticed an LD, directing the lighting focus standing on the stage with their backs to the rig, and wondered what they were looking at on the floor? [...] [...more]
On Stage Lighting publishes original articles about stage lighting techniques, modern equipment and best practice - all written by lighting industry professionals
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