In 2007, I wrote an article on LED lighting for stage and theatrical use as it was fast becoming cheap and more readily available. Major stage lighting manufacturers had started to dive into the LED lighting fixture market while cheap imported lights mean that even a small band or DJ could get a slice of the action.
On Stage Lighting has a updated quick guide for anyone thinking of buying and using LED stage lighting in 2017.
Well, while we are all recovering from the fact that On Stage Lighting is actually ten years old in October this year….. Let’s review the state of LED in stage lighting today in context with that article. Much of it still holds true, but there have been major developments.
Why Buy LED Stage Lights?
High Powered LED (Light Emitting Diode) technology means that we can now use those funny little glowing things that used to live on the front of your television, in theatre shows, live music gigs and corporate shows. LED fixtures have many advantages over “old fashioned” lanterns that make them attractive in stage lighting.
- Low Power Consumption – Because the LED uses a fraction of the power of an normal lightbulb (lamp), the power consumption of LED lighting fixtures is very small, meaning you can use a lot of fixtures on small power supply such as a 13A domestic socket. This is great for small band lighting rigs and the disco/party DJ.
- Low Heat Radiation – Although LED stage lighting does produce heat, the fixtures produce light without getting extremely hot. Modern stage lighting lamps produce more heat (and light) than they ever have and this has been coupled with improved lantern casings to minimise the risk of burning the operator. There are, however, some environments where the low heat properties of LED stage lighting are desirable.
- Lightweight and Portable – The hardware that LED fixtures are packaged in does not need to be heavy and, although the various power supplies and elements all add weight, LED units are usually fairly light.
- Colour Effects – The most common way for LED lights to be used for stage lighting purposes is using a combination of different coloured LEDs. A fixture with all three three lighting primary colours, Red, Green and Blue (RGB) LEDs blended together in different combinations gives the lighting designer loads of colour choices. This is using a principle called Additive Colour Mixing, where the coloured LEDs mix on any surface that reflects the light.
- Small and Compact – LED lighting fixtures can be made in small, discreet packages which suit applications where size and brightness are important such as exhibitions stands.
- High Brightness – This really comes down to the ratio of light brightness to power consumption. The new high powered LEDs are very bright considering small amount of electrical power they use.
So, What Types of LED Lighting Fixture Might I Choose?
For the purposes of stage lighting, the RGB colour mixing (see above) capabilities of the LED fixtue is it’s selling point. The main forms are in a lighting batten, a long strip with an array of red, green and blue LEDs or in a compact array that produces a beam of light, similar to a conventional PAR can or a Floodlight. The batten are useful for lighting up flat areas, such as a wall or backcloth, while the PAR / Flood fixtures will give you a beam of light, similar to their conventional stage lighting relatives.
Moving Light technology has also joined the LED bandwagon, with LED arrays being packaged in all shapes and sizes of “waggly” LED Moving Head fixtures. Another stage and theatrical use for the LED is in a large, screen-like array which can be used to show colours, patterns and moving images like a low resolution television screen.
One thing that has really come a long way in the last ten years is the range of light ‘types’ that LEDs are fitted to. Originally simple PARs and Flood type fixtures, the optical systems have made all kinds of beam and projecting spotlights possible. While it doesn’t seem too long ago that early production LED ‘profile’ spots were being show, this is an area where many more examples of this can now be found and are being specified for install into venues around the world.
The optical technology has also given rise to a much wider range of LED based moving lights available to markets at all price points.
How Do I Control My LED Stage Lighting?
Stage lighting is usually controlled using the standard DMX512 protocol, and LED fixtures are no exception. Different DMX channels control the Red, Green, Blue while other channels may deal with overall instensity or special chases and effects. The LED lights are linked to the DMX signal chain in the same way as other intelligent stage lighting fixtures and do not require extra dimmers to control them.
If you don’t have a DMX lighting controller, many LED stage lighting units can be used in “standalone” mode or can have control locally, using a simple controller/power supply that enable you to change the colour and run simple effects.
One development that was in it’s infancy around 2007 was the combination of battery power and wireless DMX systems. This allowed low power LED fixtures to be completely wire-free and while cable-based power and control systems are still used in the majority of stage applications, the available and use of battery/WiFi LED stage lighting has greatly increased.
What’s the catch about LED stage lights , then?
LED stage lighting is cheaper than ever, uses less power, is smaller and doesn’t get hot. It also offers you a range of light colours, without using lighting gels. What more do you want?
Here’s a few things from 2007 that might remind you how far we’ve some in the world of LED stage lighting (and a few notes marked with a **):
LED arrays can’t “focus up” like a conventional lantern. Because there are many sources of light in the fixture, you can’t get a sharp spotlight or project a gobo using an LED fixture. ** See above. This has been overcome.
- The “endless” colour choices have limits.
Different LED stage lights have various colours that they just “don’t do”. A good quality white light is one of them. Because of the way that all three colours (RGB) are mixed, a good even white light is near impossible to achieve with most fixtures.** Colour systems are better than ever.
- LED lighting fixtures are bright –
but not that bright. Although power for intensity-wise LED stage lighting fixtures are really efficient, they do lack the punch of their conventional lantern relatives (for the moment). A PAR can with LEDs in it is nowhere near as punchy as a PAR64 CP62 (or even a PAR56, for that matter). ** Brightness and punch has improved.
- Intensity drops off quicker over distance. Or at least , it appears to. Because most LED lighting units have neither a lens nor a reflector, the light they produce scatters and struggles to maintain intensity when thrown much of a distance. ** See above, some good optical systems are available.
- Colour mixes better over distance(?). Because the three coloured LEDs need to mix on a surface to create an even light, this mix improves further away from the light source. This produces the dichotomy of a fixture that colours mixes well when it is too far way to maintain a good intensity. ** Optical systems are much better.
- You get what you pay for. All LED stage lighting fixtures are not the same. Even though you can buy them cheap doesn’t mean that you should and all of the above points are more apparent in cheap LED lighting fixtures. A good quality lighting manufacturer will always be more expensive but, in general, the quality of the light and fixture will be far superior. ** Kit is generally coming down in price in relation to functionality / quality. However, you still get what you pay for.
While having their faults and limitations, DMX controlled LED lighting fixtures are still an important development in the techonology of stage and theatre lighting. They expand the armoury of the lighting designer and will help save the planet – a bit.
What if I need to buy LED stage lighting kit?
These days, LED stage lighting technology seems to be everywhere. Every school or drama club has either already added LED based stage lights to their stock, or is looking to. This leaves the novice with difficult choices in specifying, let alone using this lighting equipment. It’s difficult to know which LED fixtures are going to work in your space and for your specific needs.
Once you have this kit, it also usually requires some additional learning on DMX lighting control systems and other considerations such as colour mixing. This is an area that I often work with school and drama groups on through workshops and also to other parts of the world via my online training courses.
If you’d like to learn more about the either the creative uses of modern LED stage lighting or the technical details of controlling them, you should join my Guest List and get access to specialist knowledge and help.
If you have any thoughts about current trends in LEDs for stage lighting purposes then feel free to put them in the comments box below.