Colour Correction Filters – More Stage Lighting Gels

Colour correction lighting filters are an easy solution to achieve a standardised white light. Following on from Colour Temperature …, this article looks at colour correction filters and their uses in lighting design, both practical and artistic.

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Colour Temperature

Good stage lighting makes use of coloured light to create mood or depict the lighting in a specific location and time of day. This article gives you an introduction to colour temperature, why it is important and it’s relevance in stage lighting design.

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Stage Lighting Technician – The Inside Story

The modern stage lighting industry is extremely changeable. The call for lighting techs goes up and down like a truss rigged on elastic, it’s what they call a flexible labour market. So, production companies rely on freelance technicians ( freelancers, freeloaders [insert term of abuse here]). Becoming a freelance lighting tech seems like a good deal from the outside and this article takes a look at what it takes to be a freelancer and the ups and downs of the self employed lighting technician.

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Your First Lighting Design How To – A crash course in 10 steps

On Stage Lighting recently had a number of questions on doing a first lighting design. If you have been given the job of lighting designer for your next school play, this crash course will help you learn the basics of the lighting design process. It won’t help you learn all the detail of how to do a complex lighting design, but the 10 steps will get you started.

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DMX Dip Switch Calculator – Work It Out For Yourself!

Many intelligent lighting fixtures and effects use LCD displays and complex menu functions to allow setting to be changed. Although now less common, even on cheaper fixtures, setting DIP switches to a binary DMX address is still required. But do you really need a Dip Switch Calculator?

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ETC Source Four PARNel – To Buy or Not To Buy?

In 2009 it will 10 years since the award winning ETC Source Four PARNel was launched. A interesting “wavy” lens was added to the original S4 PAR casing to produce a hybrid of the traditional PAR can and a stage lighting fresnel. Since then, the PARnel has been popular but hasn’t sent all it’s older relatives to stage lighting heaven (or hell – in the case of the Strand Patt 45).
Why not…?

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